It's too easy to get Windows 11 VM on Linux

I set up a Windows 11 virtual machine on my Linux Pop OS desktop with surprising ease. Here’s what I did:

Whoa, configuring a virtual machine on Linux was much easier than anticipated. Windows 11 is running smoother than it ever did. Nice! 🤓🖥️💪

Linux for games, Mac for work

My Thelio from System76 has become an automatic part of my workflow, and I can happily say that every game I have tried works.

A year ago, I started using Tiny Theme. I haven’t looked back since. I am wondering about Sumo though… maybe when I have time to tweak things again.

I watched the first two episodes of Silo, and I can’t wait to watch the others. I vaguely remember the books. It feels like what I was hoping out of Fallout so far. Good stuff. 📺

Sick today. It’s been on the verge of happening and I think last night I lost the fight by being out late in an event in the cold weather. Stress didn’t help much, but at least things are shaping up!

Gave up on the Expense series for now, and picked up the second C. J. Box. I enjoyed the first and wanted me some more Picket: Savage Run by C. J. Box 📚

I’m peeping from under my rock for a second, so please be gentle with me:

Can someone explain to me like I’m a 5 year old what is Trump doing that is freaking out higher education institutions so much? I hear grant money. What’s the status on that?

Please keep it as matter-of-fact as possible 🫣

It’s a very subtle thing. Today, when I was texting a friend: “Meet me at the apartment,” instead of “Meet me at home.”

This place, which I am still writing from, is not home anymore. I want to say it’s sad, maybe it is, but I don’t feel sad about it - it just is.

Rambo: Last Blood, 2019 - ★★½

A missed opportunity. Starting as a movie about a deranged veteran and his crumbling mind, the movie quickly shakes off any emotional backdrop and drives full speed into the action.

I didn't expect much else from a Stalone movie (his company, his writing—and I'm treating him here as the director, too, even though he isn't), sure. But the elements are there: the medications, the adopted family he built around him, the tunnels he built in his backyard, where he gets lost in PTSD-induced flashbacks. The movie has a good start, showing us an unstable man trying to build a stable world.

The first Rambo, based on a book of the same name, is a tragic story about a Vietnam veteran returning to a home that doesn't want him back or knows what to do with him. In this movie, Rambo explains that he didn't change; he's the same person and just learned to "put a lid on it, every day." Excellent. There's so much stuff to pick on and go on from there. Instead, I can imagine Stalone yelling, "Cut! Enough with the emotional bullshit, let's blow some shit up!"

As for the action, it's over the top (fine, it's a Rambo movie) but also not entertaining enough. That's mostly because we've seen everything in the other movies. Stalone didn't just borrow a few signature moments from his older films, it feels like he copied all of them. The bow is there, and so are the spike traps (same kinds), the same explosives, the same old trick of different weapons at different spots, the same "final boss" fights... only in this movie, there are two, and it seems like Stalone doesn't know what to do with him, so he just dies a very gruesome death, and way too quickly.

They also seemed to have confused bad guy number 2 with bad guy number 1: the primary villain at the end of the movie is not the one who should really have the spot.

It doesn't help that the bad guys are Mexicans at the center of a sex trafficking cartel, apparently 5 minutes away from the border, which is as easy to pass as to drive a pickup truck through. It feels too much like a political narrative I heard too many times.

I'm not a director or a movie writer, but I still have advice for Stalone: Slow down.

This movie would have been so much better if Rambo was fighting his own demons, perhaps getting into trouble with the law and his own family because of his mental state. The tragedy of Rambo is that he's a warrior without an enemy, and that tragedy should have remained all the way to the end instead of forcing it unto target-practice baddies.