A missed opportunity. Starting as a movie about a deranged veteran and his crumbling mind, the movie quickly shakes off any emotional backdrop and drives full speed into the action.

I didn't expect much else from a Stalone movie (his company, his writing—and I'm treating him here as the director, too, even though he isn't), sure. But the elements are there: the medications, the adopted family he built around him, the tunnels he built in his backyard, where he gets lost in PTSD-induced flashbacks. The movie has a good start, showing us an unstable man trying to build a stable world.

The first Rambo, based on a book of the same name, is a tragic story about a Vietnam veteran returning to a home that doesn't want him back or knows what to do with him. In this movie, Rambo explains that he didn't change; he's the same person and just learned to "put a lid on it, every day." Excellent. There's so much stuff to pick on and go on from there. Instead, I can imagine Stalone yelling, "Cut! Enough with the emotional bullshit, let's blow some shit up!"

As for the action, it's over the top (fine, it's a Rambo movie) but also not entertaining enough. That's mostly because we've seen everything in the other movies. Stalone didn't just borrow a few signature moments from his older films, it feels like he copied all of them. The bow is there, and so are the spike traps (same kinds), the same explosives, the same old trick of different weapons at different spots, the same "final boss" fights... only in this movie, there are two, and it seems like Stalone doesn't know what to do with him, so he just dies a very gruesome death, and way too quickly.

They also seemed to have confused bad guy number 2 with bad guy number 1: the primary villain at the end of the movie is not the one who should really have the spot.

It doesn't help that the bad guys are Mexicans at the center of a sex trafficking cartel, apparently 5 minutes away from the border, which is as easy to pass as to drive a pickup truck through. It feels too much like a political narrative I heard too many times.

I'm not a director or a movie writer, but I still have advice for Stalone: Slow down.

This movie would have been so much better if Rambo was fighting his own demons, perhaps getting into trouble with the law and his own family because of his mental state. The tragedy of Rambo is that he's a warrior without an enemy, and that tragedy should have remained all the way to the end instead of forcing it unto target-practice baddies.